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Recently, I was rummaging around my very old LJ posts to examine long-past new year resolutions. Pretty much every year in which I posted resolutions since I started writing here[*], they included something along the lines of writing more fiction, and getting something published.

Many years have involved a lot of not-doing that.

But! As of this week, I have a proper, published story out in the world. It appears in Luna Station Quarterly, which publishes "Stellar Short Fiction by Women-Identified Writers". I've actually been reading LSQ for some time, and I rate their fiction pretty highly. Accordingly, I am absolutely over the moon that they elected to publish a story of mine.

I've always read e-book issues of LSQ up until now. This quarter I've splashed out and got the p-book, which is altogether more professional, glamorous and real-looking than I could possibly have imagined. I am ridiculously over-excited about it.

If you wish for a copy, Amazon or Weightless Books can provide. Or you can read the whole thing online for no money here. Or you can read my story in particular, should you want to. It's fairly gentle sci-fi, and the save-your-stuff-offline app on my phone estimates it to be an 11-minute read.

(Note for the easily confused who know me IRL: I am using a pseudonym. This is because my actual surname is quite ridiculously hard to spell.)

As part of the publication process, the magazine wanted a bio from me, and a photo, and they have sent me some hard questions for an interview (to be published later in the month). I am feeling terribly important about the whole thing. I might almost be able to call myself a writer :-)

[*] OK, "here" is technically Dreamwidth these days. I don't really draw much of a distinction in my head!
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As mentioned a while ago, [livejournal.com profile] davefish asked [livejournal.com profile] mrph and I to write reviews of the bands at Whitby. Our words and the Fishy One's pictures are now available on The Independent Voice. You should go and marvel at his lovely pictures. All the good reviews are written by Mrph and all the inferior ones by me :)

Getting Stuff Done )
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A quick lunchtime walk to the bank while it's open,
A breath of fresh air, get away from my desk.
Turn right off Holborn and south down to Fleet Street,
I'm taking my chances on Chancery Lane.

Scaffolding's blocked off the westerly pavement
And narrowed the other, and closed half the road.
Head-down commuters in suits squeeze past barriers,
They're taking their chances on Chancery Lane.

Taxis pull over, and more taxis pass them
While cycles and motorbikes slip through the gaps.
Under the building works, out with the traffic,
We're taking our chances on Chancery Lane.

Roped access men drink their tea wearing harnesses,
Hard hats and work boots in line with the rules.
Banksmen stand by wearing fluorescent orange.
They're taking no chances on Chancery Lane.

Electrical cables drip water down collars
In time with the clatter and shouts from above.
The crane arm swings over, the lorry reverses,
I'm taking my chances on Chancery Lane.

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I've never been sure whether I was a fan of constrained writing techniques. They always strike me as way more fun to write than they are to read. (In general, of course... largely, the more constrained, the less fun. Unless the writer is dead clever.)

But anyway, today I have just learned about Oulipo. Via the medium of someone doing a Pulp cover. He doesn't really apply the rules quite as rigorously as he claims, but it's definitely worth a listen:

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Every so often, walking about, I see things which catch my attention. I want to know how they came to be there. I want to know the story behind them.

By which, of course, I mean I want there to be a story behind them. Why was the guy in Reading station clutching a handful of tall red roses (bare stems, no wrapping paper or cellophane) and staring so anxiously at the escalators? Nervous first date? Waiting for a partner after an argument? Would the lady (or gentleman) he waited for be pleased to see him? And where did the roses come from?

This morning, on a garden wall on my walk to the station, there was a bottle of cava. It was Freixenet - not top end, but decent stuff. It was open, and only an inch or so from the top.

What set of circumstances, or curtailed celebration, causes someone to leave a barely-touched bottle of pricey cava in the street?

Fans of flash fiction-writing are invited to explain either circumstance in <100 words :)

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