Oh, I see. In that case I'd ask "worthy of what?". If a non-cover song is terrible and everyone hates it, then by this kind of thinking it's still worthy provided that it's in some small way original, whereas a new recording of some classical piece that's been recorded before is not worthy (assuming a fairly standard arrangement). At this point I'm starting to wonder whether anyone cares what music is worthy...
The bad but different cover is offering me something new, and the good unoriginal cover is at best re-issuing the song to a new audience. I'd still say that the latter is potentially worthy (of my respect, admiration, attention, cash, or whatever) whereas the former isn't (by any measurement I'm capable of making).
Ours is not the only opinion
True, but I long ago gave up trying to discuss music in terms of absolute indisputable qualities or majority opinions. Speaking in terms of our own opinions won't lead to any great revelations about music, but it does at least exchange more than zero information.
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timeasmymeasure
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Date: 2004-07-05 02:01 pm (UTC)The bad but different cover is offering me something new, and the good unoriginal cover is at best re-issuing the song to a new audience. I'd still say that the latter is potentially worthy (of my respect, admiration, attention, cash, or whatever) whereas the former isn't (by any measurement I'm capable of making).
Ours is not the only opinion
True, but I long ago gave up trying to discuss music in terms of absolute indisputable qualities or majority opinions. Speaking in terms of our own opinions won't lead to any great revelations about music, but it does at least exchange more than zero information.