Smoke lingers round your fingers

[venta]

I've just been reading, on a friend's recommendation, Stoneheart, by Charlie Fletcher. Which is a children's book, and manages to be impressively dark, understated (in some regards, less so with the giant trampling statues) and extremely funny in places.

What really suckered me in was its incredibly powerful sense of place; it's set in London and written by someone who clearly loves London, and knows it well. Admittedly it's a rather odd London in many ways, which is what made it so endearing. I love flipsidecities, the places geographically recognisable but utterly distinct so that they lure you in with their familiary then delight you with their strangeness.

And, as far as I can tell, one of the best places to do that with in a story is London. There probably are many other cities with a history as rich and various, but in the world of English literature London is a clear frontrunner.

Walking round London, seeing streetnames I recognise from history lessons, I've always felt that there were a thousand other cities bubbling underneath. Bits of the past trying to poke out. Once, lost, I blundered into Trafalgar Square and knew instantly where I was - followed by realising I was still fundamentally lost, as I had no idea where I was in relation to anywhere else. London is a place I walk round, and at the same time a myth and a mystery.

From the bureaucratic magic of Jonathon Stroud to the frankly deranged writing of Ian Sinclair, I've wandered from Hawksmoor church to London Wall and loved the lot. What Philip Pullman did for Oxford was entertaining, but never quite the same (and the scene that stuck with me most from the film was a tiny snapshot of a train-that-never-was shooting over Air Street in, of course, London).

So tell me: what other cities have been made magical with a slight fraying of reality ? Years ago, spindlemere told me that Paul Magrs had tried setting magical realism in Darlington, where I grew up, but I've never quite had the courage to try it. I don't feel London should hog all the limelight, but I don't feel I've ever met anywhere else with quite the depth of... stuff to furnish so many stories.

What have I missed ?

Remember:

- You can't make an omelette, Mr Croup, without...
- Killing a few people, Mr Vandemar.

Comments

[shui-long.livejournal.com]

London has so many layers of history, with so many odd bits of its previous existences still lurking, that I often have the feeling that there might be something *more*, maybe something *other*, just round the corner. Perhaps it's just that there are so many odd little lanes, so many new-but-not-quite-all-new buildings? Hong Kong has something of the same feeling - or parts of Beijing, but it isn't the same as there really are (or were, if they cleaned the place up too thoroughly for the Olympics) parts of old worlds, if not quite *other* worlds, tucked into odd corners.

Neither Oxford nor Cambridge hit that particular note for me; the centres of both are steeped in history, but there's less opportunity to go round a corner and find something different. Perhaps the *other* would have to be on a less fantastically alien, more domestic note - that instead of Walters, there's a shop selling magic wands, or that dusty little bookshop is selling grimoires (it wouldn't surprise me if it was...). And the night life of the Oxford gargoyles should certainly prove interesting.

I've never been to Seattle, but it seems to have an unusually high concentration of urban fantasy writers who seem to weave the city into their plots - and vice versa.

[venta.livejournal.com]

Do you have any particular recommendations for Seattle writers ? I've never been there either, but it's somewhere that's always sounded strangely appealing.