It was lost for hours 2 to 15 of its presence in the house, but I spent almost all that time asleep and lost too...
Was out of the house most of yesterday so it's having its first play as I type... Track 12 and counting. Highlights so far: recognising the sound of the Auteurs before looking at the artist name in detail (and who is Luke Haines?), the little harmony thing at the end of Busted, the slightly hurt voice in Nobody Likes You (When You're dead), and the ever lovely when I argue I see shapes when I argueshapeswhen I argue
Oh, on the Moshing theme again, I've just been reading Jan Fries Seidways (on swaying and shaking trances) and any article I'd write about moshes would involve at least a nod in the direction of pagan/shaman/ancient-cults-of-bear-fat-and-sharp-sticks-and-lots-of-mud with their ritual drumming, shaking, possesion, conciousness changing and the like.
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timeasmymeasure
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Date: 2004-03-11 03:57 am (UTC)Was out of the house most of yesterday so it's having its first play as I type... Track 12 and counting. Highlights so far: recognising the sound of the Auteurs before looking at the artist name in detail (and who is Luke Haines?), the little harmony thing at the end of Busted, the slightly hurt voice in Nobody Likes You (When You're dead), and the ever lovely when I argue I see shapes when I argue shapes when I argue
Oh, on the Moshing theme again, I've just been reading Jan Fries Seidways (on swaying and shaking trances) and any article I'd write about moshes would involve at least a nod in the direction of pagan/shaman/ancient-cults-of-bear-fat-and-sharp-sticks-and-lots-of-mud with their ritual drumming, shaking, possesion, conciousness changing and the like.